The choreographer Anne Teresa De Keersmaeker teams up with the pianist Pavel Kolesnikov for a new production of the Bach masterpiece at N.Y.U. Skirball. By Gia Kourlas The reimagined revival was ...

This is a translation of a feature that first appeared June 22, 2024. Dancer Cynthia Loemij (55) has been shining in nearly every major production by Anne Teresa De Keersmaeker (64) since 1991. This ...

'I don't think that art can save the world, but it can help to make a different world — what one would call a better world," says Belgian choreographer Anne Teresa De Keersmaeker. The renowned ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Internationally acclaimed choreographer Anne Teresa de Keersmaeker highlights the ...

As much discussion as dance, it begins with De Keersmaeker playing the famous 1950s Kathleen Ferrier/Bruno Walter recording. Halfway through it is stopped, and De Keersmaeker talks about Ferrier ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Anne Teresa de Keersmaeker is one of the most lauded and prolific choreographers ...

Both Steve Reich’s compositions and Anne Teresa De Keersmaeker’s dances for her company, Rosas, lay out mathematical and mechanical systems, while subtly revealing untidier aspects of nature and human ...

NEW YORK — Two Belgians want to be in America. Ivo van Hove, the experimental director, and Anne Teresa De Keersmaeker, the rigorously avant-garde choreographer, will take on “West Side Story” for a ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. The celebrated Belgian choreographer Anne Teresa De Keersmaeker isn’t known for her sense of fun. Of the 60 ...

PARIS — Anne Teresa De Keersmaeker turned as she spoke, creating curving marks on the floor with her feet. “I have been dancing this dance for 37 years,” she said, referring to “Violin Phase,” a solo ...

The festival opener “Nôt,” from Marlene Monteiro Freitas, drew both boos and applause. Elsewhere, for Anne Teresa De Keersmaeker, the spectacle was kept to the stage. By Laura Cappelle Dancers said De ...