The Panasonic Lumix S1R II is a flagship 44.3-megapixel camera that will appeal to night-sky observers who want to capture the greatest detail and definition. Its eye-level viewfinder offers a way of ...

I'm using a Sigma fp-L, a Panasonic S1R and a S1R II. The RAWs of the fp-L and the S1R are no problem, they are available for a long time now. The S1R II seams to be to new? On which LIB depends ...

Nikon’s new pro zoom NIKKOR Z 24-70mm f/2.8 S II adds internal zoom, faster autofocus, and better video performance. Nikon has just introduced the second-generation NIKKOR Z 24-70mm f/2.8 S II lens.

A Channel Dedicated to Exploring the Latest Filmmaking Equipment and Techniques Comedian’s arrest over social media posts sparks warning for Americans Josh Duhamel says he's 70% ready to survive an ...

Panasonic’s Lumix S1 II is the company’s most convincing hybrid yet, built for shooters who prize speed. It's half-stacked 24 MP sensor fires 70 fps bursts and near-instant readout, virtually killing ...

I criticized the S1R as being overly large and heavy, a gripe that Panasonic addresses with the S1R II. Its body is more in line with what I expect from a mirrorless camera, measuring about 4.0 by 5.3 ...

After one month of using the Lumix S1R II, my perspective on full-frame mirrorless cameras has completely changed. In this video, I share real-world experiences, image samples, and key insights into ...

Panasonic has announced the new Lumix S1 II and S1 IIE full-frame mirrorless hybrids. The S1 II can capture up to 5.1K 60p open gate, while the S1 IIE can do open gate 6K 30p (3:2) recording. Both ...

Smaller, lighter body. 47-MP sensor is faster, if slightly smaller. 8K 30p video. Support for in-camera ProRes 422 and ProRes RAW capture. Improved autofocus. Reasonably priced relative to competitors ...

We may receive a commission on purchases made from links. The Panasonic Lumix S1RII might just be the camera which brings the L-mount system to a wider audience. While numerous excellent cameras and ...

With the A1, Sony was the first to introduce a high-resolution hybrid camera that was equally adept at stills and video — but boy was it expensive. Nikon and Canon followed that template with the R5 ...