Digital Photography Review on MSN
Beyond the light: Mastering shadows in landscape photography
What role do the shadows hold in this image? Canon 5D IV | Canon 70-300 F4-5.6 | 128mm | ISO 400 | 1/500 sec | F7.1 Sandwich ...
Tiger Group's final audiovisual sale of the year boasts gear from L.A.-based digital motion picture rental house and production services company Stray Angel Films.
Searching for the best DSLR cameras for your professional work? Our in-depth review of the top 7 professional-grade DSLRs ...
Buying the right camera, lens, accessory or software to suit your photography is really important. Our product reviews offer independent views with hands-on opinion and honest verdicts aimed to give ...
Buying the right camera, lens, accessory or software to suit your photography is really important. Our product reviews offer independent views with hands-on opinion and honest verdicts aimed to give ...
Canon has announced the RF16-28mm F2.8 IS STM, a new full-frame RF mount wide-angle zoom lens for the EOS R mirrorless system. Equipped with a bright f/2.8 constant aperture, the RF16-28mm F2.8 IS STM ...
Canon presents the new RF 16-28 mm F2.8 IS STM, a compact and fast ultra-wide-angle zoom lens. It works on mirrorless full-frame cameras with an RF bayonet. The zoom offers a focal length range of 16 ...
Canon's newest RF zoom lens, the RF 16-28mm f/2.8 IS STM, is its smallest and lightest yet, offering performance and portability for both stills and video. The lens owes its balance of image quality ...
When it comes to photo gear, there's not much to the model names for cameras—each manufacturer has its own line with relatively simple, short model numbers. But the lenses that work with ...
When it was released way back in 2019, the Canon RF 28-70mm f/2 L USM instantly wowed photographers and reviewers alike. Until this week, this was the only standard zoom lens that we've ever reviewed ...
Digital Camera World on MSN
Sony FE 28-70mm f/2 GM lens hands-on review
Sony FE 24-70mm f/2.8 GM II: this lens has a couple of aperture stops fewer, but f/2.8 is still plenty wide enough for some great bokeh and background blur, plus its lighter, smaller, and much cheaper ...
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