Bob Dylan – Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan’s albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.

The 1974 Live Recordings is now available, celebrating the 50th anniversary of Bob Dylan’s return to touring that year. Featuring all professionally recorded shows from the artist’s 1974 performances backed by The Band, the collection will be …

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The Bootleg Series, Vol 4: Bob Dylan Live 1966 1998. Time out of Mind 1997. MTV Unplugged 1995. Greatest Hits Volume 3 1994. World Gone Wrong 1993. The 30th Anniversary Concert Celebration 1993. Good as I Been to You 1992. The Bootleg Series, Vol 1-3: Rare & Unreleased 1961-1991 1991. Under the Red Sky 1990. Oh Mercy 1989. Down in the Groove

Sep 30, 2011 · Bob Dylan’s 115th Dream First Release: Bringing It All Back Home First Played: Oct 13, 1988 Last Played: Oct 19, 1988 Times Played: 6

Although only 20 years old, Bob Dylan is one of the most distinctive stylists to play in a Manhattan cabaret in months. Resembling a cross between a choir boy and a beatnik, Mr. Dylan has a cherubic look and a mop of tousled hair he partly covers with a Huck Finn black corduroy cap.

Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings 2019. The Bootleg Series Vol. 15: Travelin’ Thru, 1967–1969 2019. Rough and Rowdy Ways 2020. Springtime in New York: The Bootleg Series, Vol. 16 (1980-1985) 2021. The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)

The irrepressible reality of Bob Dylan is a compound of spontaneity, candor, slicing wit and an uncommonly perceptive eye and ear for the way many of us constrict our capacity for living while a few of us don't.

Explore Bob Dylan's setlists for 2024 on the official site.

The 1974 Live Recordings offers fans 417 previously-unreleased Bob Dylan live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording – along with new liner notes by journalist and critic Elizabeth Nelson.